The Similarity of Working in Subzero Temperatures & Acrylic Paint
Working in subzero temperatures in Iceland, especially around -20 degrees, presents unique challenges that can be surprisingly similar to working with acrylic paint!
Not at all what I expected.
Just as the cold rapidly saps the warmth from my hands, making them stiff and difficult to control, acrylic paint has a tendency to dry quickly, often before I’ve fully had the chance to manipulate it. This rapid transformation from a fluid to a solid state in both scenarios forces me to work swiftly and emotionally, —an exhilarating challenge that demands full immersion and focus.
The Contrast Between Oil and Acrylic
As someone who typically works with oil paint, I’m accustomed to the luxury of time. Oil allows for a slower, more deliberate process where colours can be blended and adjusted over extended periods. This flexibility is part of what makes oil so appealing; it’s a medium that invites contemplation and gradual refinement. However, the immediacy of acrylics, much like the immediacy of dealing with cold hands in frigid conditions, demands a different mindset. There’s no room for hesitation. The paint dries quickly, capturing each decision in real time, which can be both terrifying and thrilling.
I loved being able to throw buckets of water over the surface and being able to watch the way the pigment dissolved and left traces and archeology.
Experimenting with Water-Based Mediums
I’ve been creating bases using water-based mediums, stepping out of my comfort zone of oils. It has been a refreshing shift—much like the rush of cold air that I love in Iceland. It forces focus and abandonment at the same time. Working in this way has been less about perfecting each stroke and more about embracing the spontaneity of the process. The challenge of working within these constraints has been a reminder of the beauty in adaptation. There’s something exhilarating about being pushed to find new ways to express ideas.
Transitioning Back to Oil in the Studio
As I bring these colourful acrylic bases back into my studio and begin to introduce oil into the mix, I anticipate an exciting evolution in the work. The introduction of oil will allow me to manipulate the surfaces more fluidly, blending and layering in a way that only oil can facilitate.
While I plan to maintain the vibrant energy of the acrylic underpainting, the final pieces will likely feature a more muted colour palette, with paler top layers that soften and harmonise the compositions.
This step change feels positive, marking a new direction in my practice where spontaneity and control coexist, adding depth and nuance to the work. The contrast between the immediacy of the acrylics and the meditative pace of oil will, I hope, result in pieces that feel both dynamic and thoughtfully refined, reflecting this period of experimentation and growth.
I’ll keep you updated with progress - please do follow on Instagram if you don’t already - that’s where I keep a daily image diary of work, ideas and exhibition updates,