EXHIBITIONS

SELECTED SOLO EXHIBITIONS

2014 Synapse Oriel Mwldan.
2013 Drift Duckett and Jeffries Yorkshire.
2008 Tirliniau Llantarnham Grange Arts Centre Cardiff.
2008 Oriel Clwyd Art Centre, Mold, Chester.
2007 Landscapes Morgan Boyce Gallery, Marlborough.
2007 Landscapes Oriel Mwldan, Cardigan.

SELECTED GROUP EXHIBITIONS

2018 Roger Cecil + Four Painters. Oriel Myrddyn
2017 Winter TEN Cardiff
2017 Summer TEN Cardiff
2016 Spring Exhibition gallery-ten Cardiff
2016 Back Wall Oriel Myrddin
2015 Summer Exhibition gallery-ten Cardiff
2015 Drawing Oriel Myrddin
2015 Alternatives Are Seldom Found Arusha Gallery. Edinburgh
2015 Winter Exhibition Art Shop Abergavenny.
2014 New Year Exhibition Cadogan Contemporary.
2014 Three gallery/ten, Cardiff
2014 gallery/ten, Cardiff. .
2014 Quercus Gallery, Bath.
2013 Gleam Quercus Gallery, Bath.
2013 Thomas and Paul AAF Hamburg, Germany.
2013 Abstraction Thomas and Paul, London.
2013 Prelude Thomas and Paul, London.
2013 Gathered Brooklyn, New York.
2013 Matter Lumina Milkwood Gallery. Cardiff.
2012 “Memories, you’re talking about memories” Multimedia Installation, blinc.
2012 Helen Booth Projection of Animated Short,blinc.
2012 Matter Lumina King Street Gallery, Carmarthen.
2012 Threadneedle Art Prize The Mall Galleries, London.
2012 Works On Paper, Cadogan Contemporary
2012 Marks Of Intent The Art Shop, Abergavenny

  • AWARDS - CLIENTS

    AWARDS
    2014 Award for Painting Pollock Krasner Foundation Inc New York
    2011 Arts Council R&D Award Welsh Arts Council
    2009 Oppenheim John Downes Award for Painting
2007 Oppenheim John Downes Award for Painting
    2006 Arts Council Personal Development Grant, Out in the Landscape

    CLIENTS
    Candy & Candy
    1 Hyde Park
    Soho Voices
    Arch Hotel
    Langham Hotel
    Barclays Bank
    Tudor Capital

  • ARTIST STATEMENT

    My art is inspired by a wide range of experiences -nature, personal history and relationships with the people I love. These memories often lead to a single key moment of inspiration, producing inter-connected bodies of work. I have a very tactile response to paint and I continually erase and rework my paintings on canvas in my studio. My work on paper is more immediate, the absorbing quality of the surface and the speed in which the paints and inks dry, allow me to work quickly and intuitively. These two ways of working are constant in my studio space

     

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